
RESTLESS lives is a portrait of the eventful, often stormy marriage of two distinguished painters as observed by their only son. Rodrigo Moynihan and Elinor Bellingham Smith met at the Slade and married in 1931, and John was born in the following summer. John Moynihan records, as through a child's eyes, their early life in the London art world of the 1930s. Their close friends included the three founders of the Euston Road School, William Coldstream, Claude Rogers and Victor Pasmore, Coldstream's wife Nancy Sharp and Geoffrey Tibble, Rodrigo's fellow pioneer of 'Objective Abstraction'.
In 1943, Rodrigo was appointed an Official War Artist and soon displayed his portraiture gifts with his famous Private Clarke A.TS, which hangs in Tate Britain and his eloquent depiction of wartime indignities in The Medical Inspection.
After the war, and the family's move to Chelsea, John noted signs of cracks in his parents' marriage. Both were now successful artists, Elinor showing regularly at the Leicester Galleries and winning second prize in the Festival of Britain Exhibition in 1951, and Rodrigo being elected an Associate of the Royal Academy and commissioned to paint his noted portraits of Princess Elizabeth and Prime Minister Clement Attlee.
...the pair's home at 155 Old Church Street became an artists' and writers' salon, frequented by luminaries such as Francis Bacon, Johnny Minton, Henry Lamb, David Sylvester, the novelist Elizabeth Taylor and Lucian Freud.
Dominating all other personalities in this early 1950s milieu was the increasingly manic John Minton, with whom Elinor had developed a close friendship as her marriage to Rodrigo began to fall apart, but this in turn became strained as Minton drank more and more heavily. The Moynihans' marriage finally broke up in 1957, and the story concludes with Minton's suicide, Rodrigo moving to the South of France to live with Anne Dunn, whom he would later marry, and Elinor settling in Boxford, Suffolk.